Galanterie, tragique et théâtralité chez Houdar de La Motte
Identifieur interne : 001D91 ( Main/Exploration ); précédent : 001D90; suivant : 001D92Galanterie, tragique et théâtralité chez Houdar de La Motte
Auteurs : Ioana Galleron [France]Source :
- Littératures classiques [ 2260-8478 ] ; 2004.
Descripteurs français
English descriptors
- mix :
Abstract
Houdar de La Motte is well known as the most gallant among the Modern playwriters in the eighteenth century. Influence of the opera, taste for the spectacular, feeling that the theme of love is the only one where an author of the eighteenth century can benefit from a certain form of freedom, in spite of strict classical regulations of drama - these are a few explanations of this tendency, as one can retrieve them from the author's introductions or by an analysis of his plays.
Url:
Affiliations:
- France
- Région Bretagne
- Brest, Lorient
- Université de Bretagne Occidentale, Université de Bretagne-Sud, Université européenne de Bretagne
Links toward previous steps (curation, corpus...)
- to stream Hal, to step Corpus: 000505
- to stream Hal, to step Curation: 000505
- to stream Hal, to step Checkpoint: 000847
- to stream Main, to step Merge: 002041
- to stream Main, to step Curation: 001D91
Le document en format XML
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<front><div type="abstract" xml:lang="en">Houdar de La Motte is well known as the most gallant among the Modern playwriters in the eighteenth century. Influence of the opera, taste for the spectacular, feeling that the theme of love is the only one where an author of the eighteenth century can benefit from a certain form of freedom, in spite of strict classical regulations of drama - these are a few explanations of this tendency, as one can retrieve them from the author's introductions or by an analysis of his plays.</div>
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